Regeneration
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Regeneration

Arts, Crafts And Emancipation

What role does Sámi art play in their lives? Why don’t Norwegian art institutions know how to work with and actively exhibit Sámi art? And how much is Sámi art political and linked to activism?

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Parts

  1. Matěj Pavlík, Jiří Žák, The Practice of Decolonization
  2. Hopeful Visitors and Grieving Guides - Notes from the Travel Notebook of a Dark Tourist
  3. Decolonizing the Academy by Sindre Bangstad
  4. The Disquieting Beauty of Wind Farms. Voices and Wind
  5. Places from the Travel Notebook of a Dark Tourist (Fosen Wind Complex)
  6. Who Are You, You Who Live Here?
  7. Tracing Decolonial Options in the History of Sami Educational Philosophy by Stine H. Bang Svendsen
  8. Arts, Crafts And Emancipation
  9. The Exploration and Investigation of Decolonization as Community, as Action and as a Part of a Pedagogy of Care by Amanda Fayant
  10. The Four Directions a.k.a The Medicine Wheel by Amanda Fayant
  11. What Happened To You, Norway?
  12. Places from the Travel Notebook of a Dark Tourist (Utøya)
  13. Hear the Voices of All: Perceptions of Decolonization in the Czech Republic
  14. Slyšet hlasy všech: vnímání dekolonizace v České republice (česká verze)
  15. Measuring Gustav Vingeland's sculptures

Arts, Crafts And Emancipation

We discuss these and many other questions with writer and photographer Susanne Hætta, who is the author of a book about the art group Mázejoavku. You will also hear from two other Sámi artists of different generations: visual artist Hilde Skancke Pedersen, who created the central work in the Sámi Parliament in Kárášjohka, and filmmaker, musician and artist Ella Márjá Eira.

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