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Regeneration

David Přílučík, Unprotected Nature

Introduction text

Unprotected Nature

David Přílučík’s chapter Unprotected Nature focuses on the formation and still changing discourse on how we understand the concept of nature and what it entails, especially when we talk about its protection. The chapter is divided into three parts - a three-part podcast, four text interviews interspersed with artworks, and an art video.

These different parts of the media are based on the assumption (strange as it may sound) that modern conceptions and thinking about nature can hinder adequate responses to environmental problems. Nature has long been seen as a neutral category that confirms the status quo, so thinking about it has been - from certain angles - overlooked.

What is the role of nature? Some say that nature has always been there. Others say that it was not discovered but gradually invented. This perspective implies that there is no one nature in thinking about nature, but a variety of contested natures that arise through more-than-human coexistence. Any understanding of what nature means thus necessarily involves an understanding of the society in which (or by which) it is shaped. The Unprotected Nature project seeks ways in which we can consciously participate in processes of understanding beyond established ideas.

Racism, slavery, extractivism and reproductive labour are just some of the effects that the surviving natural/non-natural divide has had on everyday life. Its modern conception of nature seems to have the enduring power to legitimize often contradictory tendencies. It juxtaposes proponents and opponents of the traditional family, hunters and animal protectors, science lovers and conspiracy theorists.

Although the division between human and non-human is proving outdated, recent events remind us that we are still living in the grip of this idea. The more we are confronted with the events that the dualistic positioning of humans as superior to their environment has brought us in the form of climate change, pandemics, genocides or energy crises, the more we need to continue to critique this issue in a broader context.

How then to update or move beyond an outdated notion? The possible explanations that modernity has offered (and that still persist today) have become rather complicit in the problem, without providing any solutions. The chapter Unprotected Nature offers a persistence in this ambiguous constellation. It does not attempt to define, but rather to reflect on the ambiguity and problematize the universal status that surrounds nature. As we come to know nature, we also unravel our own, human, story. A story made up of spindles of dreams, needs and practices. Along with questions about nature, its conservation and history, we thus come to know our own limits and possibilities.

Through the contributions of researchers, theorists, artists and scientists, we seek to understand, through podcasts, publications and experimental film, how the discourse around nature is shaped, who and how is involved in its management, and which practices and voices are not heard. In doing so, we create a space where the conventional perspective of nature ceases to be protected by the traditional framework and opens it up to new interspecies meanings and alliances.

Parts

  1. David Přílučík, Unprotected Nature
  2. David Přílučík, Relief
  3. In the name of Nature
  4. Should they stay or should they go?
  5. Holding the Rights
  6. Eivind H. Natvig, ninety seconds to midnight
  7. Lorraine Daston, Discussions about human nature are always politically and morally fraught
  8. Bob Kuřík, That's why it's called a 'national' park and not any other park
  9. Jessica Auer, "Looking North" and "Landvörður"
  10. Susanne Normann, Decolonizing the Gaze
  11. Denisa Langrová, feral mummy
  12. Mihnea Tănăsescu, Representation doesn’t have to be a conclusion, an end point, but rather a process of getting to know each other

David Přílučík, Unprotected Nature

David Přilučík’s artistic works explore the post-natural condition, challenging modern imagination and rationality. Through various aesthetic mediums such as moving images, installations, objects, and live events, Přilučík intertwines human and more-than-human subjects. Collaborating at Artyčok TV and interning at TLTRPreß, he holds diplomas from the Academy of Fine Arts in Prague and the Dutch Art Institute. His ongoing project Divoká Šárka, a collaboration with Ruta Putramentaite and Sara Märc, delves into the concept of nature reserves. Přilučík has exhibited his work in numerous galleries and institutions in the Czech Republic and internationally, including programs like the Q21 artist residency at MuseumsQuartier Vienna and Residency Unlimited in New York. His piece “Blind Bidding” earned the main prize in the Other Visions section at the 2017 PAF festival, and in 2022 he became a co-recipient of the Jindřich Chalupecký Award.

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